Final Programme
Theme: Music and Movement
Wednesday 12 September
10.30 Registration and coffee
11.15 Welcome
11.30-13.00 Music and the Body I
Room A, Chair: TBA
Christoffer de Graal – MovingSound; embodiment presence and resonance; What new information can the symbolic content of improvised music and movement can tell us.
Greet Verhaert, Josien Storme and Wiske Renders – Expressive Movement Influences Interpretation of Musical Expressiveness in Children
Aaron Holloway-Nahum – Music through Space
11.30-13.00 Music and Improvisation
Room B, Chair: Christine Dettmann
Nancy Murphy – “Do You Want to Play?”: Breaking from the Groove in Capoeira Angola Music.
Christian Weaver – Los Gemelos: the music and movement of music and movement.
13.00 Lunch
14.00-15.30
Music and the Body II
Room A, Chair: Steve Cottrell
Liz Mellish – Dancing movements in the city of Timisoara, south west Romania
Jun Zubillaga-Pow – Performing Perversity: Musicality, Physicality, Plasticity
Emily Granozio - Classical Violinist and Folk Fiddler: Same Musical Instrument, Two Musical Perspectives
15.30 Tea
16.00-17.30 Roundtable/Workshop: Research Ethics
Room A
Laudan Nooshin (City University), Andrew Rawnsley (Teesside University), Muriel Swijghuisen-Reisersberg
Moderator: Muriel Swijghuisen-Reigersberg
18.00 Abstract Writing Workshop
Muriel Swijghuisen-Reigersberg
Thursday 13 September
9.30 Late registration
10.00-11.30
Music, Conflict and Politics
Room A, Chair: Hettie Malcomson
Miranda Crowdus – Palestinian-Israeli Music in the Tel-Aviv-Yafo Underground: Transforming the System through Collective Rap
Violeta Ruano – Polisario vencerá? The role of music in conflict revolution and new identities in Saharawi culture
Andrew Green – R to the B to the E to the B to the L: Rage against the Machine, the Zapatistas, and Resistance as Performed
Migration and Musical Change
Room B, Chair: ShzrEe Tan
Manimugdha Choudhury – Mishing Musical Heritage: An Anthropological Appraisal
James Butterworth – Singing Songs of Suffering: The Lyrics and Discourse of Bad Romance in Urban Peruvian Huayno Music
Jun Zubillaga-Pow – The Transcultural Turn of the Sundanese Angklung in Singapore and Germany
11.30 Coffee
12.00-13.00
Rethinking Listening
Room A, Chair: Katherine Schofield
Matthew Gilmore – The Embodied Critical Faculty: A Moving Target 2006
Jo Miller – Moving between learning environments: practices among members of a community-based traditional music group in Scotland
13.00 Lunch
14.00-15.30 Publishing Presentation
Vicki Cooper - Cambridge University Press (Room A)
15.30 Tea
16.00-17.30 Keynote address
Michael Bull – University of Sussex (Room A)
18.30 Optional Conference Dinner
Konaki Greek Restaurant
Friday 14 September
9.30 Late registration
10.00-11.00
Music and Identity
Room A, Chair: TBA
Bart Paul Vanspauwen – Promoting language-based alliances through music: cultural entrepreneurs in Lisbon since 2006
Mark Porter – Moving into praise: taste and identity in the musical lives of contemporary worshippers
11.00 Coffee
11.30-13.00
Rethinking Tradition and Transmission
Room A, Chair: TBA
Ronnie Gibson – The transmission of Scottish fiddle music
Iva Nenic – From woman to woman: female gusle players in Serbia
Lucy Wright – Can dance be ethnomusicology? Can ethnomusicology be art?
Music Transported
Room B, Chair: Keith Howard
Veronika Seidlová - Journey of Mantra from India to the Czech Republic: Contribution to Ethnography of Music and Globalization
Diane Temme - The Development of Inauthentic Argentine Tango: Buenos Aires Milongas to London Tea-Time Tango
Thomas Western - “For the Purposes of Broadcasting”: The Institutionalised Movement of British “Folk” Music
13.00 Lunch
14.30-15.30 Closing Discussion/Feedback Session
Room A, Moderators: James Butterworth and Tom Wagner
15.30 Tea and Farewell